The art beyond the West, from what I understand, is a mix between the strong and the gentle. They appear to be both at the same time. Bold lines are scattered everywhere and soft colors seem to embrace them. The art of this era is mostly sculptures and paintings. The art beyond the West hovers over African art, Oceanic Art , Native American art, Islamic art, Indian art, Chinese art, and Japanese Art. The predominant styles of this era are symbolism, naturalism, abstractionism and realism. They used a variety of materials, some of these are rocks, wood, metal, ceramic, clay, marble and oil. The focus of their art is in their religion, people and tribes. Like most of the other eras of art, this particular era is a product of continuous rejection of different proposed changes in art. We can conclude that the people of these era were very much religious and pretty much stuck to their own ways and beliefs.
The art of the Africans were mostly of rock paintings and engravings. It is also noticeable that their artworks focus on their people/tribes and their religion, among these are the door from
A hunter figure (Nkisi Nkondi). |
A casta painting by Miguel Cabrera. This symbolizes the marriage of two cultures. |
The Great Stupa. The dome symbolizes the sky and the fence (Vedika) acts as a barrier between the heavenly and the earthly. More rituals are outside rather on the inside. |
Sudden Rain at Atake and Ohashi by Ando Hiroshige. |
I highly believe that the art in this era would not exist without the presence of their (respective) religions. These were the primary factors that made the art beyond the West possible. The art beyond the West served as a starting point for the establishment and settlement of the modern art.
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